
Five seafarers find themselves stranded on the shores of Øland, an island located somewhere between reality and fiction. As they attempt to recreate the world from memory they stumble between past and present, unfolding visions of a future in a shimmering post-decadent landscape. In Øland, Marble Crowd continues to attempt grand tasks through a collective practice of transformative play. Working with the island as a stage, they create a haunting and continually shifting ecology of make-belief.
Marble Crowd is a Reykjavik based ensemble of artists interested in the site-specificity of big stages, weather maps, the impossible and in choreographic strategies of play as tools for transformative spectacle. Moving mountains in three essays (K3|Tanzplan, Kampnagel Hamburg, 2017) was their first production, and with Øland (Iceland National Theatre, 2020) Marble Crowd has presented the first two parts of a trilogy on hope and disaster, reflecting on landscapes, big stages and the collective.
Concept, choreography and direction: Marble Crowd - Katrín Gunnarsdóttir, Kristinn Guðmundsson, Saga Kjerúlf Sigurðardóttir, Sigurður Arent Jónsson, Védís Kjartansdóttir
Artists on stage: Katrín Gunnarsdóttir, Kristinn Guðmundsson, Saga Kjerúlf Sigurðardóttir, Sigurður Arent Jónsson, Védís Kjartansdóttir, Gunnar Karel Másson
Music and sound: Gunnar Karel Másson
Scenography and costumes: Guðný Hrund Sigurðardóttir
Visuals: Guðmundur Úlfarsson
Lighting: Halldór Óskarsson
Dramaturgy: Igor Dobricic
Marketing producer: Kara Hergils
Production and directing assistant: Birnir Jón Sigurðsson
Production: Marble Crowd
Co-production: Iceland National Theater.
Funded by: Iceland Ministry of Culture and Education, City of Reykjavík and Embassy of Iceland in Oslo.
Residencies: Kunstencentrum Vooruit Ghent, BIRCA Bornholm, Archinos Cairo.
Kara Hergils, producer
+354-6962360
kara@murmur.is
Theatre, Dance
Adults, Youth
14x14 (width x depth)
9-10